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Founded in 1999 by Emch and Noah Shachtman, Subatomic Sound System is a rocord label and collective hosting musicians, producers, DJs and visual artists from a variety of backgrounds and traditions. In fall 2008, Subatomic Sound System garnered international attention for a limited edition vinyl 12' featuring their collaboration with Vienna's Dubblestandart and dub inventor Lee 'Scratch' Perry, releasing the first songs from Perry in the dubstep genre, one of the first recorded examples of a tangible connection between the popular UK based electronic genre that emerged in the begin of the first decade of the 21st century and the Jamaican dub from the 1970s where dubstep's origins were rooted and which had been primarily originated by Perry himself. Beginning in 2008, Subatomic Sound System started hosting weekly radio shows on 91.5fm, Radio New York and webcast on Brooklyn Radio. In 2011 Subatomic Sound System began performing as Lee 'Scratch' Perry's backing band with a hybrid of electronics and live instruments. In 2013 they performed together at Coachella Valley Music and Arts Festival and afterwards became Perry's exclusive touring band in North America. In 2017, Subatomic Sound System released their first full-length album with Perry entitled 'Super Ape Returns To Conquer' which debuted #5 on the Billboard Magazine reggae chart and #2 on iTunes USA reggae album chart and reached #1 on North America World music NACC charts.

Performance history[edit]

Fall 2001: Subatomic Sound System won the Red Bull Vinyl Lab competition in New York City using an early incarnation of Native Instruments Traktor DJ software on a laptop at a time when laptops were not commonly used in musical performance. When judges discovered software had been used to create the mix CD, it sparked a controversy amongst the judges. In the end, judges conceded that there was no valid grounds for disqualifying Subatomic Sound System for using DJ software rather than traditional vinyl and turntables, so they upheld their victory in the competition.^[1]

From 2007 to the present:^[when?] Subatomic Sound System increased touring throughout North America and Europe in a variety of configurations from live band of ten, to electronic trio, to DJs as styles like dubstep increased in popularity and the interest in new dub oriented music emanating from New York City increased (largely the result of successful releases from NYC artists such as Dr. Israel, Ticklah, Easy Star All-Stars, Dub Gabriel, Bill Laswell, Matisyahu, and others).

The track was recorded at Sarm East Studios in Whitechapel, engineered by Mickey Foote and produced by Lee 'Scratch' Perry.Perry had heard the band's cover of his Junior Murvin hit 'Police and Thieves' and was moved enough to have put a picture of the band (the only white artist accorded such an honor) on the walls of his Black Ark Studio in Jamaica.

July 19, 2009: Subatomic Sound System performed to a beyond capacity crowd at Summerstage in Central Park, New York City, along with Lee 'Scratch' Perry & Dubblestandart (with a cameo from Ari Up) as well as Alpha Blondy. The lineup for this event drew the largest Summerstage crowd of the season, confirming organizers' expectations. Given the multicultural and cross generational audiences who turn out in Central Park, organizers had hoped this billing would draw on the connection between modern incarnations of dub based music such as dubstep and the dub and roots reggae styles from over 30 years before, originated by Perry in Jamaica that influenced artists like Blondy to extend that sound in Africa. Those styles then influenced groups like Dubblestandart and Subatomic Sound System in Europe and the US to meld that sound with other contemporary electronic based genres.^[2]

2012: Lee Scratch Perry with Subatomic Sound System as his band and opening act, go on tour across the US, May 16 through May 26. In September they perform together again at Dub Champions Festival in New York City, Music Hall of Williamsburg.

2013: Lee Scratch Perry and Subatomic Sound System tour the west coast and southwest USA including two shows at the Coachella arts & music festival, April 12 & 19, performing music ranging from the roots reggae off Perry's Super Ape album to dubstep and bass music riddims by Subatomic Sound System.

Nov 20, 2014 Why Lee “Scratch” Perry Wants You To Stop Smoking Weed The producer who fathered reggae 40 years ago talks new music, old studios, and negative influence. Music blog Lee 'Scratch' Perry at 80: 'I am a prince and the music is the king' The pioneer of dub turned 80 on Sunday – here he reminisces about Bob Marley, Haile Selassie and laying off weed. Aug 06, 2017  View credits, reviews, tracks and shop for the 2014 Vinyl release of Back On The Controls on Discogs. Feb 19, 2014  Lee Scratch Perry & EasyRiddimMaker @ Reggae Jam 2013 Soundbwoy Tv. LEE SCRATCH PERRY - Live HD at Reggae Sun Ska 2012 by Partytime.fr. Twinkle Brothers Live at JSMF 2014 - Duration. When you consider Jamaican record producer Lee 'Scratch' Perry is still taking to stages globally at the age of 78, you may be encouraged to pick up an acoustic and see if it makes you feel any younger. Of course it is not the actual act of performing that keeps Lee playing live, it is the passion for the music that is so visible. View credits, reviews, tracks and shop for the 2014 CD release of Back On The Controls on Discogs.

Radio Shows[edit]

Beginning in 2008, Subatomic Sound System started Subatomic Sound Radio, hosting weekly radio shows on 91.5FM, Radio New York and Brooklyn Radio webcasts. The Radio New York show is part of a nightly program called Mo'Glo sponsored by Seattle-based public radio station KEXP.

Release history[edit]

'Black Ark Vampires' Lee 'Scratch' Perry & Subatomic Sound System[edit]

The song 'Black Ark Vampires' was premiered on Halloween October 31, 2014 via the Brooklyn-based Jamaican culture website Large Up with an explanation of Perry's lyrics about killing vampires and why Lee Scratch Perry burned down his Black Ark Studios in Jamaica decades before. In the song, Perry describes killing vampires with fire, electric wire, roast corn, and his own hair in locations around the globe including America, England, and Kingston, Jamaica. Live concerts by Lee 'Scratch' Perry & Subatomic Sound System from 2001-2014 combined digital electronics and live instrumentalists and singers and this recorded song can also be heard to use a similar blend of elements specifically instrumentation like electric guitar, bass, percussion, and harmonized background vocal produced with space echo and spring reverb effects in a fashion typical of reggae recordings from Perry's Black Ark Studios during the 1970s as well as using electronic synthesized sub-bass and digital drums common to 21st century electronic music genres like dubstep and trap music. The song was released on vinyl 45rpm exclusively on November 4, 2014 and appeared at #1 on Juno Records charts in both dub and reggae. Reggae dancehall vocalist Jahdan Blakkamoore appeared as a supporting vocalist on the track, a collaborator on several other Perry & Subatomic Sound releases as well as vocalist and primary writer on Snoop Lion and Major Lazer albums. Blakkamoore is mostly known for his numerous releases both solo and with his band Noble Society whose release 'Living the Life' came out on the Subatomic Sound label.

Iron Devil: Lee 'Scratch' Perry's first dubstep track[edit]

In fall of 2008, Subatomic Sound System produced a collaborative remix in a dubstep style with Vienna's Dubblestandart & dub originator Lee 'Scratch' Perry who were working jointly on completing an album entitled Return From Planet Dub which included new versions of several of Perry's most famous tunes and riddims from his hey day in Jamaica during the 1970s. The Subatomic Sound System remix was Perry's first release in the dubstep style that by late 2008 had spread from the UK and was beginning to see worldwide popularity among electronic music fans and an ever-growing crowd of curious music listeners. The remix was titled 'Iron Devil' and was based on the riddim used for some of Lee's biggest hits like 'Disco Devil', 'Chase The Devil' with Max Romeo, and 'Croaking Lizard' from Lee's seminal Super Ape album. A short run of those records was pressed as advance promotion for the forthcoming album and included some exclusive vinyl only mixes, namely dubstep and 1980s dancehall reggae style mixes of 'Iron Devil' on the A side and two remixes of Dubblestandart tracks by Tom Watson, a producer from Paris, France, on the B side, one of which was 'Wadada' (originally recorded by Dub Syndicate) the first ever dubstep track featuring the Jamaican voice of thunder, Prince Far-I .

The limited edition vinyl 12' was distributed in either a blank white jacket or, for about 150 copies, in a vintage red, gold and green comic art jacket that was acquired from Tuff Gong in Jamaica and bore the Solographic Productions imprint (leading some stores to incorrectly list Solographic as the label for the release). The record itself had a blank white label marked on only on the A-side by a devil head hand stamped on it with red ink. It sold out in less than a week and it quickly became highly sought after on secondary vinyl markets and vinyl collectors' sites such as Discogs.^[3]

The release has historical significance for several reasons. Firstly, at the age of 73, Perry was suddenly finding new audiences for his music worldwide through the evolution of dub into dubstep. Secondly, its popularity was indicative of a cultural diaspora and evolution of a non-commercial subgenre of music developed in Jamaica largely by Perry into a movement that had rippled around the world through various music genres to later create a subgenre of electronic music called dubstep over 30 years later in the UK that reunited its offspring with their forefather and propelled them both to broader prominence that in the process crossed cultural, generational and racial boundaries.

Blackboard Jungle dubstep[edit]

In July 2009, another 12' was released that featured dubstep tracks based on 'Blackboard Jungle', the title track of The Upsetters' album Blackboard Jungle Dub produced by Perry and considered by some^[who?] to be the first ever dub album. The original Blackboard Jungle Dub album from the 1970s was mastered and re-released as Upsetters 14 Dub Blackboard Jungle and the tune 'Blackboard Jungle' was renamed 'Black Panta'. Dubblestandart remade the tune in collaboration with Perryon their album Return From Planet Dub in spring 2009. That release also had remixes of the song by Subatomic Sound System. For the dubstep vinyl release that followed, Subatomic Sound System developed new versions of 'Blackboard Jungle' based on that remix and involving Guyana-born/NYC-based dancehall reggae vocalist Jahdan Blakkamoore for vocals along with Perry. The vinyl release 12' catalog number was SS009 and was followed up in 2010 by digital releases SS010 and SS011 that featured alternative versions. A mini-documentary featuring Perry covering the making of the 'Iron Devil' and 'Blackboard Jungle' dubstep remixes with Dubblestandart and Subatomic Sound System, their capacity crowd performance in Central Park, and the evolution of dub to dubstep, was created and released on the internet via sites like YouTube.

Electronic Cumbia Dub[edit]

Lee Scratch Perry Live 2014 Video

In late 2011, the Subatomic Sound label released a project called Sancocho e Tigres, a collective of young producers from across South and Central America who are electronic music producers as well as players of instruments. The project was organized by Caballo (Rebel Records) from Colombia. Subatomic Sound put out two releases, one of a single, 'Lujo De Pobre', that included a song as well as the self-produced samples by the collective members used to create the song. A second release followed with various versions of the song that each member put together from those same samples. Later that year Subatomic Sound System had Colombian producer Bleepolar (of Sanchocho e Tigres) remix 'Dem Can't Stop We From Talk' with Anthony B, one of the first instances of a Jamaican dancehall artist appearing on an official cumbia remix.

On All Frequencies[edit]

The first official full-length album by Subatomic Sound System, On All Frequencies covered a broad range of genres, tempos and timbres. On All Frequencies entered the CMJ radio Top 40 charts in both 'electronic' and 'world' (i.e. reggae) categories simultaneously during spring 2007.^[4] The album received positive reactions across a broad spectrum of the electronic, hip hop and reggae press. It was described by BPM magazine in its vital releases column as 'connecting the dots between dub, dancehall, hip hop, drum & bass, downtempo and broken beat'.^[5] It received a four afro rating from the popular website Okayplayer, (their ratings system based on site founder and The Roots drummer Questlove's hairstyle), who opined, 'These beats could become the blueprint for future producers..Genius producing', a 'certified gunsmoke!' review from OJ Lima, former VIBE magazine editor and founder of DJ culture site, Limachips,^[6] and the reggae-centric Beat magazine wrote that the song 'Rize Up' is a virtual revolutionary anthem'. The album was highlighted in Beyond Race magazine's 2007 Music Issue and Subatomic Sound System performed at the magazine release party in Brooklyn, New York. The Subatomic Sound System System song 'Breakin' Down the Barriers' inspired the magazine's editor to use the title as the name of the subsequent issue and it became a theme song for the magazine's mission.^[7]

Discography[edit]

Albums, EPs, digital singles[edit]

• Revolution 2 Freedom Subatomic Sound System & Junior Dread (2020, Subatomic Sound SS037 digital )
• Champion Sound Subatomic Sound System & Screechy Dan (2020, Subatomic Sound SS037 digital )
• Shaolin Dub Subatomic Sound System (2019, Subatomic Sound SS036 digital )
• Super Ape Returns To ConquerLee 'Scratch' Perry & Subatomic Sound System (featuring Screechy Dan, Jahdan Blakkamoore, & Ari Up) (2017, Subatomic Sound SS033 digital, CD, vinyl via Echo Beach )
• NYC-2-Africa-2-Brasil (featuring Anthony B,Jahdan Blakkamoore, Bajah, & Nomadic Wax) remixes by Victor Rice, Maga Bo, Buguinha Dub (2016, Subatomic Sound SS030A digital)
• NYC-2-Africa (featuring Anthony B,Jahdan Blakkamoore, Bajah, & Nomadic Wax) (2010, Subatomic Sound SS016 digital)
• Blackboard Jungle Vol.2 Respect My Shit (featuring Dubblestandart, Lee Scratch Perry, Jahdan Blakkamoore) (2009, Subatomic Sound SS011 digital)
• Blackboard Jungle Vol.1 Respect the Foundation (featuring Dubblestandart, Lee Scratch Perry, Jahdan Blakkamoore) (2009, Subatomic Sound SS010 digital)
• Heat Brings Heat (featuring Pete Miser) (2008, Subatomic Sound/ Modus Vivendi SS007 digital)
• Crucial Times (2008, Subatomic Sound/ Modus Vivendi SS006 digital)
• On All Frequencies (Instrumentals & Mixtape) (2008, Subatomic Sound/ Modus Vivendi SS00 digital)
• On All Frequencies (Instrumentals) (2008, Subatomic Sound/ Modus Vivendi SS005 digital)
• On All Frequencies (featuring King Django)(2007, Subatomic Sound/ Modus Vivendi / Nomadic Wax MVM009 CD, digital)
• Lost Hits Vol. 1: Dancehall versus Hip Hop (featuring Pete Miser and King Django) (2005, Subatomic Sound/ SS004 digital)

Vinyl[edit]

• Black Ark Vampires/Dub Lee 'Scratch' Perry & Subatomic Sound System 7' 45rpm (2014, Subatomic Sound cat# SS020)
• Dem Can't Stop We From Talk (Dubiterian remix)/NYC-2-Africa riddim (Dubiterian remix) Anthony B, Subatomic Sound System & Nomadic Wax 7' 45rpm (2014, Subatomic Sound cat# SS028)
• Jah is Coming/Dubbing on the Moon Subatomic Sound System & Thomas Blondet 7' 45rpm (2014, Subatomic Sound cat# SS027)
• Dem Can't Stop We From Talk/NYC-2-Africa riddim Anthony B meets Subatomic Sound System & Nomadic Wax 7' 45rpm (2011, Subatomic Sound cat# SS024)
• Dem Can't Stop We From Talk/Kingston Riot riddim Anthony B meets Dubblestandart 7' 45rpm (2011, Subatomic Sound cat# SS023)
• Vampires & Informers Elephant Man 12' 33rpm (2010, Subatomic Sound cat# SS018)
• Hello, Hello, Hell is Very Low b/w Bed Athletes featuring Lee 'Scratch' Perry and Ari Up of The Slits 7' 45rpm (2010, Subatomic Sound cat#SS014) [#1 on Ernie B reggae vinyl chart]
• Chrome Optimism Dubblestandart meets Lee 'Scratch' Perry and David Lynch 12' vinyl, 33rpm (2010, Subatomic Sound cat# SS012)
• Blackboard Jungle featuring Lee 'Scratch' Perry, Jahdan Blakkamoore, Dubblestandart 12' 33rpm (2009, Subatomic Sound cat#SS009)
• Iron Devil featuring Lee 'Scratch' Perry and Dubblestandart 12' 33rpm (2008, Subatomic Sound cat#SS008)
• Our Father, Our King 7' 45rpm (2008, Bastard Jazz Recordings cat#BJ7003)

Remixes[edit]

• Amsterdam Marlon Asher & Leah Rosier (2011, Dubbhism digital) included remix Amsterdam (Subatomic Sound System Bloodstep mix)
• Vampires & Informers Elephant Man (2011, Subatomic Sound cat# SS019 digital) included remixes Vampires & Informers (Subatomic Sound System Bloodstep mix), Vampires & Informers (Subatomic Sound System bloodsucker's dub)
• Modern Dayz Slavery The Bant Singh Project featuring Delhi Sultanate (2011, Word Sound Power digital) included remix Modern Dayz Slavery (Subatomic Sound System remix)
• Vampires & Informers Elephant Man (2010, Subatomic Sound cat# SS018 vinyl) included remixes Vampires & Informers (Subatomic Sound System Bloodstep mix)
• Chrome Optimism Dubblestandart meets Lee 'Scratch' Perry and David Lynch (2010, Subatomic Sound cat# SS015 digital) included remixes Chrome Optimism (Subatomic Sound System remix), Chrome Optimism (Ming vs. Subatomic Sound System remix), & Chrome Optimism (April White vs. Subatomic Sound System remix)
• Chrome Optimism Dubblestandart meets Lee 'Scratch' Perry and David Lynch (2010, Subatomic Sound cat# SS012 12' vinyl, 33rpm) included remixes Chrome Optimism (Subatomic Sound System remix) & Deadly Funny (Subatomic Sound System dub)
• Luv 'n LivDub Gabriel w/U-Roy (2010, Destroy All Concepts cat# DAC009 digital) included remixes Luv 'n Liv (Ming vs. Subatomic Sound System remix)
• Dubstep EP Dubblestandart (2009, Collision/Select Cuts/ Echo Beach digital) included remixes: 'Iron Devil (Subatomic Sound System remix)' 'Blackboard Jungle (Subatomic Sound System remix)'
• Return From Planet Dub Dubblestandart, Lee 'Scratch' Perry and Ari Up (2009, Collision/Select Cuts/ Echo Beach CCT3019-2 Double CD, digital) included remixes: 'Blackboard Jungle (Subatomic Sound System remix)' Extensive liner notes by writer David Katz
• Remixed Eyesight Project (2008, Modus Vivendi Music MVM007 digital) included remixes: 'On Chrome (Subatomic Sound System remix)'

Compilations[edit]

• SUBcontinentalBASS (2011, High Chai digital) included song 'NYC-2-India' a new version on NYC-2-Africa riddim with vocals by Delhi Sultanate. Hit #1 on Beatport reggae chart.
• The Sound of Rhythm & Culture (2010, Rhythm & Culture CD, digital) included songs: 'Dub Steppa' by Thomas Blondet & Subatomic Sound System
• BKLYN: Heavy Sound from the County of Kings (2009, Bastard Jazz Recordings CD, digital) included songs: 'Our Father, Our King'
• Nickodemus & Mariano present Turntables on the Hudson 10 Year Anniversary (2009, Wonderwheel Double CD, digital) included songs: 'Our Father, Our King'
• Northern Faction 4 (2009, Balanced Records CD, digital) included songs: 'Walking On The Moon' a dub version of the Police song based on the music from 'Our Father, Our King'
• Modus Vivendi Music Vol. 2 (2008, Modus Vivendi Music MVM008 CD, digital) included songs: 'Ghetto Champion', 'Our Father, Our King (Golden remix)'

Mixes[edit]

• Code Orange Relaxation Techniques Subatomic Sound System (2002, Subatomic Sound CD)

Unreleased and forthcoming works[edit]

• 'Revolution' Ari Up and The Slits (cover version of the famous Dennis Brown song) Subatomic Sound System dub mix (2008, unreleased)
• '21st Century Life'Sam Sparro Island Records Subatomic Sound System dub mix for U.S. single release (2009, unreleased)
• 'Black and Gold (song)' Sam Sparro Island Records Subatomic Sound System remix of 2009 Grammy nominated song for U.S. single release (2008, unreleased)

Television and film[edit]

• Californication (TV series) 2012: Season 5 ep 111 Showtime features the song 'The Chronicles' by Subatomic Sound System
• CSI:Miami By The Book episode aired Oct. 30, 2011 CBS The Halloween episode features the remix of 'Vampires & Informers' by Elephant Man on Subatomic Sound label.
• Vans Triple Crown of Surfing North Shore Underground - Hank Gaskell Fuel TV & Vans Triple Crown Surfing website 'Ghetto Champion' and several Subatomic Sound System songs this and other 2010 highlight segments
• Dog The Bounty Hunter The Big Wipeout A&E Network Subatomic Sound System song 'Ghetto Champion' was the featured song on this episode
• Dog The Bounty Hunter Smackdown of Baby Lyssa A&E Network Subatomic Sound System song 'Criminal' was the featured song on this episode
• Dog The Bounty Hunter Crime Don't Pay A&E Network Subatomic Sound System song 'Doin' It' was the featured song on this episode

References[edit]

1. ^Native Instruments article on Red Bull Vinyl Lab competition
2. ^Summerstage event page for Subatomic Sound System, Lee Scratch Perry & Dubblestandart, and Alpha Blondy [1]
3. ^Link to Discogs page for Iron Devil 12'
4. ^CMJ radio charts 'Archived copy'. Archived from the original on 1998-02-20. Retrieved 2011-01-29.CS1 maint: archived copy as title (link)
5. ^BPM magazine Nov 2006/Dec 2006/Jan 2007
6. ^http://www.limachips.com/
7. ^'Beyond Race' magazine breaks down barriers, NY Daily News

External links[edit]

'Complete Control' is a song by The Clash, released as a 7' single and featured on the U.S. release of their debut album.^[4]

Background[edit]

The song is often cited as one of punk's greatest singles and is a fiery polemic on record companies, managers and the state of punk music itself, the motivation for the song being the band's label (CBS Records) releasing 'Remote Control' without asking them, which infuriated the group.^[5]Stereogum described it as 'this extraordinary airing of grievances, a desperately catchy cataloguing of the many ills visited upon a young band experiencing its first forays into corporate culture'.^[6]

The song also refers to managers of the time who sought to control their groups–Bernie Rhodes (of The Clash) and Malcolm McLaren (the Sex Pistols)–the song's title is derived from this theme. Bernie Rhodes had arranged a band meeting at the Ship, a pub in Soho's Wardour Street, where he said he wanted 'complete control'.

He said he wanted complete control. I came out of the pub with Paul collapsing on the pavement in hysterics over those words.

The track also refers to the band's run-ins with the police, their practice of letting fans into gigs through the back door or window for free and a punk idealism seemingly crushed by the corporate reality they had become part of and the betrayal and anger they felt.

This message was scorned by some critics as naïveté on the part of the band – the DJ John Peel was one of those, suggesting that the group must have realised CBS were not 'a foundation for the arts' – while others were strong in their support of the single.

Instead of a piece of cynicism, Complete Control becomes a hymn to Punk autonomy at its moment of eclipse.

The track was recorded at Sarm East Studios in Whitechapel, engineered by Mickey Foote and produced by Lee 'Scratch' Perry. Perry had heard the band's cover of his Junior Murvin hit 'Police and Thieves' and was moved enough to have put a picture of the band (the only white artist accorded such an honor) on the walls of his Black Ark Studio in Jamaica. When the Clash learned that Perry was in London producing for Bob Marley & the Wailers, he was invited to produce the single. 'Scratch' readily agreed.

During the tracking session, some Clash and Perry biographies claim, Perry blew out a studio mixing board attempting to get a deep bass sound out of Paul Simonon's instrument, while a 1979 New Musical Express and Hit Parader article penned by Strummer and Jones stated that Perry had complimented Jones' guitar playing, saying he 'played with an iron fist'. Perry's contribution to the track, however, was toned down - the band went back and fiddled with the song themselves to bring the guitars out and played down the echo Perry had dropped on it. The song was also Topper Headon's first recording with the band, following the departure of Terry Chimes.

'Complete Control' reached number 28 in the singles chart,^[9] making it The Clash's first Top 30 release. In 1999, CBS Records reissued the single with a live version of 'Complete Control'. In 2004, Rolling Stone rated the song as No. 361 in its list of the 500 Greatest Songs of All Time.^[10] The song is featured as a playable track in the video games Guitar Hero: Aerosmith and Rock Band.^[11]The Guardian described it as 'the high watermark of the Clash’s punk period'.^[12]

Lee Scratch Perry Wife

In 1980, legendary guitarist Chuck Berry was asked to review some modern records by the St. Louis 'Jet Lag' fanzine. After reviewing the Sex Pistols' 'God Save the Queen', the next song to be reviewed was 'Complete Control', his review read: 'Sounds like the first one. The rhythm and chording work well together. Did this guy have a sore throat when he sang the vocals?'^[13]

Can a windows pc connect to a mac with teamviewer windows 10. Click on Network and Sharing center and selectChange advanced sharing settings on left panel.3. Click on Save changes and check if the issue is resolved, if notrestart the system.Hope this helps. Select the option Turn on network discoveryand check the option Turn on automatic setup of network-connected devices under Private (current profile).4. Select the option Turn on file and printer sharing under File and printer sharing.connected-devices under Network discovery.5.

Personnel[edit]

'Complete Control'[edit]

• Joe Strummer - lead vocals, rhythm guitar
• Mick Jones - lead and rhythm guitars, backing vocals
• Paul Simonon - bass guitar
• Topper Headon - drums

'City of the Dead'[edit]

• Joe Strummer - lead vocal, backing vocal, organ, rhythm guitar
• Mick Jones - backing vocal, lead guitar
• Paul Simonon - bass guitar
• Topper Headon - drums
• Gary Barnacle - saxophones

Charts[edit]

Lee Scratch Perry Live 2014 Youtube

Notes[edit]

1. ^Gilbert 2005, p. 159.
2. ^The Clash (October 1980). Super Black Market Clash. album sleeve notes. Epic Records. ASINB00004C4L1.
3. ^Partridge, Kenneth (10 April 2017). 'How The Clash Can Lead to a Great Record Collection'. Consequence of Sound. Retrieved 15 May 2019.
4. ^Letts, Don (2001). The Clash: Westway to the World (Film). Sony Music Entertainment. Event occurs at 11:45. ASINB000063UQN. ISBN0-7389-0082-6. OCLC49798077.
5. ^Lucas, John (4 January 2019). 'Five Songs About: the music industry'. The Georgia Straight. Retrieved 7 May 2019.
6. ^'The 10 Best Clash Songs'. Stereogum. 7 December 2002. Retrieved 9 May 2019. #6
7. ^Salewicz 2006, p. 178.
8. ^Savage 2002, p. 399.
9. ^ ^ab'Official Singles Chart Top 100'. Official Charts Company.
10. ^'The RS 500 Greatest Songs of All Time'. Rolling Stone. 9 December 2004. Archived from the original on 20 November 2007. Retrieved 22 November 2007. 361. Complete Control, The Clash
11. ^Sliwinski, Alexander (11 February 2008). 'The Clash, The Police and The Ramones'. Joystiq. Retrieved 13 February 2008.
12. ^Simpson, Dave (23 September 2015). 'The Clash: 10 of the best'. The Guardian. Retrieved 15 May 2019.
13. ^Eisinger, Dale (19 March 2017). 'Chuck Berry's Reviews of The Clash, The Sex Pistols, The Ramones, and More'. Spin. Retrieved 15 May 2019.

References[edit]

• Gilbert, Pat (2005) [2004]. Passion Is a Fashion: The Real Story of The Clash (4th ed.). London: Aurum Press. ISBN1-84513-113-4. OCLC61177239.
• Gray, Marcus (2005) [1995]. The Clash: Return of the Last Gang in Town (5th revised ed.). London: Helter Skelter. ISBN1-905139-10-1. OCLC60668626.
• Green, Johnny; Garry Barker (2003) [1997]. A Riot of Our Own: Night and Day with The Clash (3rd ed.). London: Orion. ISBN0-7528-5843-2. OCLC52990890.
• Gruen, Bob; Chris Salewicz (2004) [2001]. The Clash (3rd ed.). London: Omnibus. ISBN1-903399-34-3. OCLC69241279.
• Needs, Kris (25 January 2005). Joe Strummer and the Legend of the Clash. London: Plexus. ISBN0-85965-348-X. OCLC53155325.
• Salewicz, Chris (31 January 2006). Redemption Song: The Ballad of Joe Strummer. Farrar, Straus and Giroux. ISBN978-0571211784.
• Savage, Jon (18 January 2002). England's Deaming. St. Martin's Press. ISBN978-0312288228.
• Topping, Keith (2004) [2003]. The Complete Clash (2nd ed.). Richmond: Reynolds & Hearn. ISBN1-903111-70-6. OCLC63129186.

Lee Scratch Perry New Album

External links[edit]

• Lyrics of this song at MetroLyrics

Lee Scratch Perry Live 2014 Full